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SHIFT-Clicking to Select Holding the SHIFT key while clicking an unselected object adds it to your current selection This also works in the reverse: holding SHIFT while clicking a selected object deselects the object Marquee-Selecting Objects To select all objects in a specific area, click-drag diagonally with the Pick Tool to surround the objects; a dashed blue outline representing the rectangular area of select appears until you release the mouse button While doing so, all object shapes completely within the area you define become selected, as shown in Figure 8-3 The complete object s shape must be surrounded for it to become selected Holding SHIFT while using the marqueeselection technique causes unselected objects to be selected and it also causes selected objects to become unselected

In custom situations, where you re doing speci c work for a speci c client, you can tailor that interaction a bit more nely, but for the gross consuming public, it s still a tough nut to crack, I think Any words of advice for developers who may be considering getting involved in Enhanced CD Yeah To me, the best way to do it is with your Director-type presentation If you re using Director in the development end I think it is a pretty straight-forward process The key is to make sure that you re managing assets very closely, depending on the audio portion of things, you might be asked to cram an awful lot into a small data area You just have to really have a good handle on the techniques involved in doing that It s not rocket science It really isn t It s quite doable The tough part is just making things t It s probably smaller than what you re used to working with Most music albums run about 35 or 40 minutes No, you re probably talking on average 40 to 45, I would think Which gives you quite a bit of room to work with, but again where so many people use digital video in an Enhanced CD environment, digital video is big You take a few minutes of video and Cinepack that stuff down and you re talking about multiple Megabytes of size It s real easy if you want to work with digital video in an Enhanced CD environment to chew that space up quickly The key is knowing your audio budget going into it and planning to use less than what you think Are you involved in any digital video projects Well, we did the Conan O Brien That, to us, was kind of fun because the video clips themselves were pretty hysterical You ve got Don Ho singing Beastie Boys songs You ve got the Zappa Brothers jamming with John Tesh The kind of stuff that you belly laugh over We did all the work on that and it came off pretty well We like to work on fun projects We come from an environment that s been tied in with a lot of entertainment activity the Teenage Mutant Ninja Turtles, comic books We committed ourselves to doing this multimedia stuff, but really working on having a lot of fun in the process We ve been very fortunate in that the majority of the stuff that we ve.

FIGURE 8-3

A click-drag with the Pick Tool in any direction marquee-selects the objects that are completely surrounded

done has not been boring We ve done some kid s projects We ve done a Tattoo clip-art CD That s fun stuff And certainly the Jerky Boys would qualify at the top of that list Was the animation done using onion-skinning in Director Yeah, a lot of was done in a pure, cel-based fashion Literally doing overlays from a paper sampling Scanning that stuff in, computer-coloring them, and then using Director to onion-skin the things out Are there any tools out there that do decent cel-based animation without having to resort to paper I think if you get at the really high end that there are And, certainly, you ve got you re traditional 3D packages out there which can be used for doing stuff pretty effectively I guess, for us, we ve found that the best way to get the best end result is to start things off by hand, get it into the system and then really use the computer for what it is really good at And that s manipulating things after the fact

CHAPTER 8:

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