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Align Nodes Rotate And Skew Nodes Stretch And Scale Nodes Reverse Curve Direction Extend Curve To Close Extract Sub-path Auto-Close Curve Select All Nodes

Some manufacturers are looking beyond the laser beam to other recording methods, such as the use of the electronic particle beams One company, Norsam, has been experimenting with the use of particle beams to write to a metallic media, achieving capacities of up to 200GB for a single 120-millimeter optical disc This write-once technology, slated for arrival in the year 2003, is currently being envisioned as being incorporated in a tower system containing ten or more HD-ROM drives, offering a capacity of somewhere around 60 Terabytes

FIGURE 10-9

Join Nodes/Break Curve When two unconnected nodes on an open path are selected (for example, when the start point is close to the end point), pressing the Join Nodes button connects them to create an unbroken path On single paths, only the unjoined, beginning and ending nodes may be joined On compound paths (paths that aren t necessarily close to one another, but have been joined using the Arrange | Combine command), the beginning and ending nodes selected on two existing but separate paths can also be joined While a single node is selected or while a specific point on a segment is clicked, pressing the Break Curve button results in two nodes becoming unjoined, in turn breaking a closed path into an open path

Another promising approach to data storage comes from Israel, where a company called C-3D has devised a recording technique they call Fluorescent Multi-layer (FM) Instead of relying on a re ective surface for data detection, as do CD and DVD, an FM disc emits light The uorescent media can be stacked in layers, each layer capable of handling 14GB The initial goal is to produce discs with a minimum of 10 layers, representing the equivalent to 14 Terabytes of storage on a 120-millimeter optical disc The rst planned products include an FM-ROM drive, an FMWORM drive, and FM PC-card drives, scheduled for introduction in early 2001

Unjoined paths are not the same as separate objects Two paths, for example, can be located nowhere near each other on a page and yet still be path of a single path If you want to break a path into its component sub-paths, you first select the nodes using a marquee-selection technique with the Shape Tool, click the Break Curve button, and then choose Arrange | Break Curve Apart CTRL+K is the shortcut, and it s one of a handful of essential CorelDRAW shortcuts you ll want to commit to memory

LIFE COMPASS:

CHAPTER 10:

One of the new things about this edition of CorelDRAW Official Guide is that there are formal tutorials, laid out in steps, along with explanations as to why you re asked to do something You can t miss a Tutorial section: it s marked with the Educated Lightbulb icon shown here Many of these Tutorials will go better and smoother, and better demonstrate a technique or principal if you have a working file loaded in the drawing window, so we ve provided you with several Before many Tutorials, you ll see a Download icon in the margin (a downarrow icon); that s your clue to go to the following URL and download the content before starting the related Tutorial The Tutorial files can be found at wwwmhprofessionalcom From this page, click the Downloads link and locate this book s title to get to the tutorial files Additionally, wwwtheboutonscom mirrors the Tutorial files that McGraw-Hill provides, plus we have some Bonus Content up there goodies for our readers that have nothing to do with this book s Tutorials, but everything to do with your continuing adventures in CorelDRAW As you can see next, The Boutons are offering original seamless tiling textures perfect for web page backgrounds, custom object fills, and backgrounds in your CorelDRAW documents You ll also find high-resolution images of indoor and outdoor scenes with blank signage Because so many CorelDRAW users create billboards, package designs, and vinyl signs for vehicles, we thought it would be nice if you could previsualize a logo or other signage; for example, put your