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Freehand Smoothing The Freehand Smoothing option enables you to set the default value of the Freehand Smoothing option in the Property Bar while drawing with the Freehand Tool Smoothing may be set based on a percent, within a range between 0 (minimum smoothing) and 100 (maximum smoothing) This option is largely redundant, with the Freehand Smoothing option available in the Property Bar when a curve and the Shape Tool are selected Corner Threshold This option is for setting the default value for corner nodes when drawing with the Freehand or B zier Tool Lower values cause nodes to be more likely set to Cusp nodes, and higher values cause them to more likely be Smooth nodes The range may be set between 1 and 10; the default is 5 Straight Line Threshold This option pertains to the way that the shapes of lines or curves are created when drawing with the Freehand Tool Lower values cause nodes to be more likely set to straight lines, while higher values cause them to be curved more frequently The range may be set between 1 and 10; the default is 5 Auto-Join This option sets the behavior of the Freehand or B zier Tool while drawing closed-path objects This value represents the distance in pixels that your cursor must be when clicking near the first node of a newly created path to close the path automatically Auto-Join can be set anywhere within a range between 1 and 10 pixels; the default is 5 and is probably the best overall choice for large screen resolutions that are run today

Compound paths have at least two separate paths (either open or closed), composing a single shape To examine an example of a compound path, use these steps:

The choices of hardware and software for production and delivery of DVD-based video depend on how you actually plan to deliver the video Therefore, we begin at the end: the delivery mode There are three modes for delivery of video: Playback from a VCR standard VHS analog video Playback from a set-top box (DVD player) and a television: DVDVideo Playback from a computer: DVD-ROM or DVD-RAM

an uppercase Q character You can assign the character any typeface you like; the more ornamental the character, the more obvious the compound path will be This character shape, shown in Figure 10-10, has two combined paths: one represents the positive space and one represents the negative space shape

CHAPTER 10:

Figure 14 - 1 shows the con gurations of hardware needed for these modes Let's look at each in turn

FIGURE 10-10

In vector artwork, holes in objects are achieved through compound paths; paths that are combined to create a single object

neighbors, or anyone else who has access to your life Do you have someone in your life who s keeping you from staying focused on what s really important If the answer is yes, then complete the rest of this exercise

the shapes and drag it to move it; clearly the two paths are now separate You have just converted a compound path featuring two sub-paths into two individual objects, as shown in Figure 10-11

Figure 14 - 1

When separate objects are combined, they behave as a single object While two or more closed paths are combined, they form positive and negative spaces within the object Applying a fill to this type of object causes the positive shapes to be filled, and the negative shapes remain clear, as shown in Figure 10-12 The Combine command does this: choose Arrange | Combine or use the CTRL+L shortcut You can also click the Combine button in the Property Bar, or choose Combine from the pop-up menu Combining objects that normally feature unique properties such as rectangles, ellipses, polygons, and perfect shapes permanently converts them to curves

FIGURE 10-11

Display on:

FIGURE 10-12

If you intend to output to PostScript, it might not be a good idea to combine paths that overlap each other Again, it s one of the limitations of the PostScript page description language in human terms, a PostScript printer or image-setting device gets confused when a single closed path intersects itself; the device doesn t know which areas to fill and which to leave empty If you have a design need for a shape that looks like it self-intersects and you have to have proper PostScript output, don t fret You can use the Shaping docker (or the buttons on the Property Bar when multiple shapes are selected, using the Pick Tool) to create the illusion of a selfintersecting shape

Name the distracters in your life Describe what it is about their behavior that distracts you and keeps you

You can separate the individual paths in a compound path using the Break Curve Apart command (CTRL+K) This command is available when a compound path composed of at least two sub-paths is selected (Using the Extract Sub-path command button in the Property Bar also does this, but only for the selected path)