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like a heart beating is a good thing We at Team Fat will leap all over that like boots on a rattlesnake But you also do strictly MIDI soundtracks as well, don't you Oh, sure I did the rst General MIDI sound track to a game ever How do you feel about some of the expanded formats, such as MIDI-XG General MIDI got off to a pretty shaky start I started doing General MIDI when there was only one device that supported it the Roland Sound Canvas I made a big deal about it in the manual for The Seventh Guest The Seventh Guest went out and sold a million and a half copies when the previous top-selling multimedia product had only sold 20,000 copies So, all of a sudden in swell foop [chuckles theatrically] God, I love that multimedia stopped being the 0-billion dollar industry ; it started being an actual viable business And, General MIDI became The Thing So, these General MIDI instruments started coming out Basically, they did not play back the music as predicted There was no spec there was nothing in the General MIDI spec to say how loud one instrument sound should be compared to another So, instrument sounds would just get lost or would come blaring out suddenly It was a real mess So, I started a campaign and a service to x that I never really made any money on it, but I think that between us (FAT Labs) and the eventual acceptance of what we were doing by the MIDI Manufacturers Association, we got it where General MIDI now is pretty much a workable standard That required a lot of effort And, it paid back well in terms of saving people from having to listen to terribly distorted music I thought I saw your name attached to approval of a sound board that had XG capabilities If there was a quote from me I love those Yamaha guys and I love those Yamaha instruments it was probably something like this: The product was balanced very well for General MIDI and that when you play back General MIDI on that instrument or you write it on that instrument, you're working within a very compatible system I won't associate my approval with MIDI-XG, although I am really enjoying my XG stuff, but I don't believe that we've got a set of standards now.

Here is a taxi driver s tour of how to create and then edit a polygon to design any symmetric object you can imagine (and a few unimaginable ones):

control points on the polygon to select it, but don t drag yet Hold CTRL and then drag outward, to constrain the movement of the cursor so that the polygon doesn t take on a lop-sided appearance (although you can create interesting polygons by dragging in any way without holding CTRL) You should have a star shape now, as shown here

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Part II focuses on navigating and measuring the workspace and your document, and on how to size things up, from measuring objects to moving and rotating them You ll also learn how to set up a multi-page document, create brochures and flyers, and you ll see that each page can be a unique size and orientation Part III gets you up and running with two of the most important tools used in designing original artwork, the Pen Tools and the Shape Tool You ll also get a handle on creating shapes using various presets CorelDRAW has to offer Once you have your object created and edited to your liking, it s only natural to make more of them; this part shows you how to arrange, group, duplicate, clone, and perform other tasks in your document to make laying out what you ve created an inspired effort Part IV dives into typography, working with Artistic and Paragraph Text, spelling and other CorelDRAW proofing tools, and some special effects you can create for fancy headlines Sometimes it s better to just say it instead of show it; CorelDRAW has the ideal tools for both the text and graphic message, and this part of the book also shows how to blend the two vehicles artistically for what you want to communicate Part V puts the meat on the bones of the objects you design; in these chapters you ll learn everything you need to know about object fills, outline properties, and most importantly, about digital color Learn how to define and apply uniform fills, bitmap fills, and colors from different color models to your work so they ll print exactly as you intend them to And if you need a map or schematic drawing, check out this part for the lowdown on creating dashed lines, lines with arrowheads, and more Part VI is a truly special part; CorelDRAW comes with a boatload of special effect features, and these chapters take you through the steps to distorting, blending, and creating photorealistic effects such as object transparency and soft, life-like shadows If you ve ever been stuck at a point where your design needs that special something, look into this special part of the book Learn how to create shading as you ve seen in airbrush illustrations, design chrome and glass-like objects, and create a seamless integration between what you draw and the digital photos you can place in your document Part VII shows you that 3D object and scene creation doesn t require a megabuck modeling program you ll find what you need to make scenes in camera-perfect perspective with CorelDRAW s Effects menu You ll also learn how to extrude objects, letting CorelDRAW perform calculations to create a side view of the front of objects you draw It s fun, and the result can have the visual impact you need to create new worlds and sell your ideas.

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